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Hrishikesh Mukherjee's best films_我的网站

一 |     本文来自微信公众号：财联社 （ID：cailianpress），作者：周晓雅                    随着上市公司三季报披露，公募基金三季度的调仓动作逐步显现。                   Wind数据显示，截至10月21日，已有328只个股的前十大流通股东出现了公募的身影。    Hrishikesh Mukherjee started his career in the film world as an editor. He was editor and assistant director to another Bengali great, Bimal Roy, and edited Roy’s films like Do Bigha Zamin (1953), Devdas (1955) and Madhumati (1958). He’s also edited films like Gunga Jumna (1961) and Coolie (1983), among others. Malayalam language films like Chemmeen (1965) and Nellu (1974) have also been edited by him. He branched out as an independent director with the episodic film Musafir (1957). Commercial success followed with films like Anari (1959) and Asli Naqli (1961). But it was with Anupama (1964) which depicted the filial bond between a father and a daughter, that he began to be counted as a director who could successfully marry art and commercial cinema. He went on to make seminal films like Aashirwad (1968), Satyakam (1969), Guddi (1971), Anand (1971), Bawarchi (1972), Abhimaan (1973), Namak Haraam (1973), Mili (1975), Chupke Chupke (1975), Gol Maal (1979), Khubsoorat (1980) and many more. His films were set in middle-class India and were populated with characters who battled emotional crises. The masses were able to relate to his heart-touching stories and characters and that’s why his films are fondly watched even today. Here’s taking a look at some of his best films as a director over the years.      In This Article      Anupama (1966)Aashirwad (1968)Satyakam (1969)Anand (1971)Guddi (1971)Bawarchi (1972)Namak Haram (1973)Abhimaan (1973)Mili (1975)Chupke Chupke (1975) Khubsoorat (1980)Anupama (1966)          Cast: Dharmendra, Sharmila Tagore, Tarun Bose               Mohan Sharma (Tarun Bose), a successful businessman, is happily married to Aruna (Surekha Pandit), who unfortunately dies while giving birth to their daughter. Distraught, Mohan Sharma becomes an alcoholic and can’t bear to see his daughter's face. Uma (Sharmila Tagore) is brought up by servants and while she’s beautiful and intelligent, she’s highly introverted and in her heart blames herself for her mother’s death. She begins to love Ashok (Dharmendra) but agrees to marry another man when she learns her father doesn’t like him. Love, however, has changed her and noticing the change, her father finally comes to his senses and lets her lead her own life.     Aashirwad (1968)          Cast: Ashok Kumar, Sanjeev Kumar, Sumita Sanyal          Jogi Thakur (Ashok Kumar) leaves home when he finds out that his wife had ordered the houses of the poor be razed. Later, he kills a man who was trying to rape a girl. He gives himself up and is given a life sentence. Some years later, he’s shown to be friends with the prison doctor (Sanjeev Kumar. He’s happy to learn that his daughter is to be married to the doctor but hides his identity when he comes to know she hates criminals. He’s released on the day of her wedding, and watches it from afar, giving her his final blessings before succumbing to a heart attack. Ashok Kumar was praised for his sublime acting and won both the National Award and the Filmfare Award for his performance.      Satyakam (1969)          Cast: Dharmendra, Sharmila Tagore     The film revolves around Satyapriya (Dharmendra) and his experiments with absolute truth. He fails to save Sharmila Tagore’s character from being raped by his employer and is a fit of guilt, marries her. And this guilt never leaves him but goads him to pursue truth at any cost -- be it the loss of employment, property or even life. Tears fly when Sharmila accepts her dead husband’s harsh way of life and tells her son that he can’t light his father’s pyre as he biologically wasn’t sired by him. Yes, truth has prevailed -- but can the child handle the truth?     Anand (1971)          Cast: Rajesh Khanna, Amitabh Bachchan          Anand was a paean about friendship, about facing life stoically and laughing even at death’s threshold. The film was dedicated to Raj Kapoor and Hrishida allegedly wrote the film as a testimony to his friendship with Kapoor. Rajesh Khanna breezed through the title role of an extroverted cancer patient who faces the terminal stage of his disease with laughter on his face and sees death as another adventure. He lives several lifetimes in his last few months and teaches others, especially his caring doctor  Bhaskar Bannerjee aka Babumoshoi, to loosen up and enjoy life more. Bachchan's reserved, restrained performance was the perfect foil to Khanna’s exuberance. The film doesn’t fail to put tear faucets into overdrive with every rerun.     Guddi (1971)          Cast: Dharmendra, Jaya Bhaduri     Though she has acted in Satyajit Ray’s Mahanagar (1963) in a supporting role, Guddi is Jaya Bhaduri’s debut film as far as Hindi cinema is concerned. She played a schoolgirl obsessed with the actor, Dharmendra, in the film. She’s so much into him that she even refuses to marry the man intended for her, saying she can’t love another as she’s totally in love with the actor. Her uncle (Utpal Dutt) meets with Dharmendra and asks her to help out in the situation. The actor has to play out a different role for the girl to realise the difference between the reel and real life. It was a power-packed performance by the youngsters and she came to rule the hearts and minds of the audience as the good girl.     Bawarchi (1972)          Cast: Rajesh Khanna, Jaya Badhuri, Asrani, A.K. Hangal, Usha Kiran and Durga Khote     The film revolves around the dynamics of the dysfunctional Sharma family, comprising Daduji (Harindranath Chattopadhyay), his sons Ramnath Sharma (AK Hangal) and Kashi (Kali Bannerjee), their respective wives Seeta Sharma (Durga Khote) and Shobha Sharma (Usha Kiran), another son Vishwanath Sharma (Asrani), and granddaughters Meeta (Manisha) and Krishna (Jaya Bhaduri). Servants tend to run away from their family every six months because the members are always quarrelling. Raghu (Rajesh Khanna) their latest cook soon starts noticing their quirks and starts placating them one by one, winning their trust in the process. There’s harmony in the house and the brothers start interacting with each other. Raghu turns out to be a Good Samaritan in disguise whose mission in life is to bring peace and happiness to families who are in dire need of it.     Namak Haram (1973)          Cast: Rajesh Khanna, Rekha, Amitabh Bachchan          This film was the beginning of the end of Rajesh Khanna’s reign. He played a man who infiltrates the trade union in order to avenge the humiliation faced by his industrialist pal and then starts respecting the workers’ rights and their fight against the capitalist culture. Well, the best friend’s role was played by Amitabh Bachchan. According to movie lore, Khanna was offered this role first but he declined it as he saw more merit in the role of a suffering martyr. The audience thought otherwise and was more taken in by Bachchan’s brooding persona. Bachchan had another hit the same year, the massive Zanjeer, in which he played the angry young cop to perfection and effectively took over the superstar’s mantle.     Abhimaan (1973)          Cast: Amitabh Bachchan, Jaya Bachchan, Asrani, Bindu, A.K. Hangal          Subir (Amitabh Bachchan) a renowned singer is a darling of the masses and much in demand. Once, while visiting his aunt in a remote village, he listens to Uma (Jaya Bachchan) singing and falls in love with her. They get married and initially, their days pass in blissful serenity. Trouble starts when Subir asks her to take up singing professionally. She reluctantly agrees and soon her popularity soars. She’s more in demand than him and he can’t digest this fact. Differences crop up between them. He leaves her and she suffers a miscarriage. She becomes hugely depressed because of it. The only way out is through music. Amitabh and Jaya complete each other in the film and perhaps have given the finest performance as a pair in the film.      Mili (1975)          Cast: Amitabh Bachchan, Jaya Bachchan and Ashok Kumar     Mili (Jaya Bachchan) has pernicious anaemia, a disease which was considered incurable back then. She’s the apple of everyone’s eye in her building, especially of children, with whom she plays boisterously despite the age difference. A new tenant Shekhar (Amitabh Bachchan) comes to live in their building and their paths cross. Shekhar is a man running from his past and wants to drown his sorrow in alcohol. Once, in a fit of depression, he tries to commit suicide and is saved by Mili and her father (Ashok Kumar). Mili and Shekhar come closer and sort of fall in love with each other. He marries her and takes her to Switzerland in search of a cure. The film ends on an open note. We don’t know what happens further in Mili and Shekhar’s lives and can only hope for a positive outcome.      Chupke Chupke (1975)           Cast: Dharmendra, Amitabh Bachchan, Sharmila Tagore, Jaya Bachchan          The film was a remake of the Bengali film Chhadmabeshi (1971), starring Uttam Kumar and Madhabi Mukherjee. It centred around the prank played by Dr Parimal (Dharmendra), on his brother-in-law Raghav Sharma (Om Prakash). Parimal comes to Mumbai posing as a driver from Allahabad and is instantly hired. Sometimes later, Sulekha (Sharmila Tagore), too lands up at her sister’s place. The growing intimacy between the driver and Sulekha is frowned upon by all. Catastrophe strikes when they elope and Sukumar (Amitabh Bachchan) posing as Parimal, comes to Mumbai. He is made to stay in a mutual friend Prashant’s (Asrani) house and love blossoms between Sukumar and Prashant’s sister-in-law Vasudha (Jaya), leading to further confusion.      Khubsoorat (1980)           Cast: Rekha, Rakesh Roshan, Ashok Kumar, Dina Pathak and Shashikala     When Manju (Rekha) comes to stay for some time with elder sister Anju (Aradhana) after the latter’s marriage, she’s bewildered to find that it resembles an army barrack more and an actual house less. The house is run in clockwork precision by  Anju's strict mother-in-law Nirmala Gupta (Dina Pathak). Dwarka Prasad (Ashok Kumar), her husband, likes gardening, youngest Jagan (Ranjit Chowdhry) loves rock music, while the elder sons like to play cards.           The middle son Inder (Rakesh Roshan) is studying to be a doctor and starts liking Manju. Everyone follows their hobbies but in secret. Manju brings a revolution of sorts in the house by making sure everyone enjoys themselves in Nirmala’s absence. It so happens that Dwarka Prasad has a heart attack and it’s Manju who saves his life by keeping a sane head at the time of calamity. Rekha was at her finest in the film and carried it on her shoulders.。

二 | 其中，超200只个股的前十大股东中已有主动权益基金出现，多位百亿主动权益基金经理有着各自的调仓动向。                   多位百亿基金经理买入机器人、AI板块个股                    目前已经披露板块个股中，多只机器人概念股、AI板块个股得到百亿基金经理的青睐。                   10月21日晚间，PCB龙头股东山精密的三季报显示，3只公募基金在该股前十大流通股东行列。其中，傅鹏博和朱璘共同管理的睿远成长价值，新进为东山精密的第五大流通股东，持股数为2134.17万股，这也是该基金继去年一季度以后，重回前十大股东行列。                             虽然此前并未重仓，但睿远成长价值的半年报和年报显示，该股在去年曾一度减持至138.04万股，从去年下半年开始陆续增持，至今年二季度末已经是隐形重仓股，三季度更是大手笔加仓。                   谢治宇管理的兴全合润也在同期新进，持股数为1177.53万股。在今年上半年，兴全合润已有交易东山精密的踪迹，但截至6月底，该股又被清仓。

三 | 此次再买入后，该基金也是首次进入东山精密的大股东行列。                   不过，杜猛在管的摩根新兴动力则是减持了该股，就在今年6月底，该基金新进前十大股东，一个季度后，减持了123.14万股，至1123.7万股。                   除了公募基金以外，该股还得到险资青睐，新华人寿旗下2只产品买入，中国人寿旗下产品则有减持动作。                   自8月以来，该股得到长江证券、招商证券、上海证券、浙商证券等多家券商的买入评级。研报中多提到，AI业务有望带动公司业绩增长，中泰证券研报显示，该公司拟收购索尔思100%股权，通过此次收购能够快速切入光通信市场，进一步加大公司在AI领域布局。                   长源东谷的三季报则显示，6只公募基金现身前十大股东。其中，范妍在管的富国稳健增长新进，最新持股数为230万股。此前，该基金的半年报显示，长源东谷未在持股行列，买入个股动作或是从三季度开始。                   另外，这只个股还有蒋璆在管的华安动态灵活配置等多只产品现身。                   浙商证券此前研报提到，长源东谷一方面聚焦新能源领域，混动缸体缸盖领域发力显著，去年比亚迪、赛力斯混动车缸体缸盖销量实现大幅增长。另一方面则是前瞻布局机器人关键部件，重点推进灵巧手、机械臂等高性能核心模块的研发与工程化路径建设。                   闫思倩的最新调仓动作也在上市公司三季报显现。恒而达三季报显示，鹏华碳中和继二季度新进前十大股东后，又在三季度增持该股，至134.87万股。

四 |                    不过，该股短期业绩承压，今年前三季度净利润减少逾四成。但有券商研报指出，随着该公司销售规模的逐步扩大及生产工艺的持续优化，滚动功能部件产品市场知名度和行业渗透率得以不断提升，业务规模效应正逐渐凸显。                   隆盛科技则遭减持。在今年二季度末，该股位列鹏华碳中和的第六大重仓股，持股数为1085.62万股，而到了三季度末持股数减少两成以上，至836.19万股。                   在闫思倩减持的同时，有4只公募基金新进该股前十大重仓股，包括胡宜斌在管的华安媒体互联网。

五 |                    消费、新能源亦有基金调仓                    食品股万辰集团也得到百亿基金经理的青睐，截至三季度末，李竞和胡晓管理的东方红启恒三年持有新进该股前十大股东，持股数为266.84万股。                   事实上，在二季度末，东方红启恒三年持有已重仓持有了万辰集团，彼时持股数为165.89万股，是第四大重仓股，三季度的持股数则增加了六成以上。

六 |                    从业绩表现来看，该股出现净利润率的环比提升，前三季度实现扣非归母净利润8.1亿元，同比增长955.3%，仅第三季度的净利润也增长超三倍。                   能源设备板块股蓝科高新也得到公募青睐，最新披露的三季报显示，钟帅在管的华夏行业景气、华夏卓越成长新进该股前十大股东。其中，华夏行业景气更是第五大股东，持股数为1047.48万股。                   虽然深耕能源装备领域，但近年来，蓝科高新也在向光热储能、氢能、深海经济等新兴领域拓展。三季报显示，该公司今年上半年实现净利润的扭亏为盈。

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